Bronze and Smaller Sculptures / Clancy Warner

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SCULPTURE

BRONZE and SMALLER WORKS

Most Sculptures are available for sale unless they have been marked as SOLD or were a commissioned piece.

Commissions are also available, please contact me for details.

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and for sculpture information.

Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. SOLD Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?	Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?
Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?	Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?
Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?	Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?
Dust to Dust, with artist Clancy Warner Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?	Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20.
Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?	Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?
Dust to Dust, bronze, 76 x 27 x 104cm, 2019-20. Dust to dust embodies a drying landscape and a disappearing species. Global warming, climate change, mismanagement of land and water and the eminent extinction of species are all notions behind this sculpture. Dust to dust is a lone Canis Lupus Dingo, representing the loneliness that comes from destruction, neglect and extinction. She is not dead yet; looking into her eyes you see life and hope. She is not gone yet; she’s strong enough to fight for survival… are you?

Papa Tjukurpa: Dingo Story SOLD Bronze, life-size, 2019. A collaboration with Elizabeth Close.
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close.
Papa Tjukurpa: Dingo Story In situ, 2019 Government House: This place was traditionally the land of the Kaurna people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Kaurna, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story In situ, 2019 Heysen Sculpture Biennial: This place was traditionally the land of the Peramangk people and the dingoes were one of the original animals of the area before colonisation. The designs on the dingoes represent the traditional custodians of the lands, not specifically the Peramangk, but more a representation that this country always was and always will be Aboriginal Land… These dingo sculptures are a reflection of what once was and what still is as a sense of place and belonging.
Papa Tjukurpa: Dingo Story Bronze, life-size, 2019. A collaboration with Elizabeth Close. Elizabeth Close is an Anangu woman working in traditional and contemporary Aboriginal art styles to bring an awareness of issues that affect Aboriginal and/or Torres Strait Islander people. https://www.facebook.com/elizabethclosearts/

A Shadow of What Once Was (detail) SOLD 2018, 75 x 95 x 35cm, Stainless Steel.
A Shadow of What Once Was 2018, 75 x 95 x 35cm, Stainless Steel.
A Shadow of What Once Was 2018, 75 x 95 x 35cm, Stainless Steel.

Flight: The Dance of Earth and Air SOLD. A collaboration with Elizabeth Close. Steel, stainless steel and welded bronze, 2020. Working in both physical steel and ethereal shadow-play these Eagle sculptures brings the viewers sightline from the ground up; connecting the elements of earth and air, paying homage to and building connections to country and spirit, both from a physical component as well as the ethereal.
Flight: The Dance of Earth and Air A collaboration with Elizabeth Close. Steel, stainless steel and welded bronze, 2020. Working in both physical steel and ethereal shadow-play these Eagle sculptures brings the viewers sightline from the ground up; connecting the elements of earth and air, paying homage to and building connections to country and spirit, both from a physical component as well as the ethereal.
Flight: The Dance of Earth and Air A collaboration with Elizabeth Close. Steel, stainless steel and welded bronze, 2020. Working in both physical steel and ethereal shadow-play these Eagle sculptures brings the viewers sightline from the ground up; connecting the elements of earth and air, paying homage to and building connections to country and spirit, both from a physical component as well as the ethereal.
Flight: The Dance of Earth and Air A collaboration with Elizabeth Close. Steel, stainless steel and welded bronze, 2020. Working in both physical steel and ethereal shadow-play these Eagle sculptures brings the viewers sightline from the ground up; connecting the elements of earth and air, paying homage to and building connections to country and spirit, both from a physical component as well as the ethereal.
Flight: The Dance of Earth and Air A collaboration with Elizabeth Close. Steel, stainless steel and welded bronze, 2020. Working in both physical steel and ethereal shadow-play these Eagle sculptures brings the viewers sightline from the ground up; connecting the elements of earth and air, paying homage to and building connections to country and spirit, both from a physical component as well as the ethereal.

Flying Fish (maquette) 2018, Stainless steel, mild steel and galvanised steel.
Flying Fish (maquette) 2018, Stainless steel, mild steel and galvanised steel.
Flying Fish (maquette) 2018, Stainless steel, mild steel and galvanised steel.
Flying Fish (maquette) 2018, Stainless steel, mild steel and galvanised steel.
Flying Fish (maquette) 2018, Stainless steel, mild steel and galvanised steel.

Dog Boi SOLD 2018. Reclaimed Oregon timber on Steel Base. 2nd place winner of the 2018 Mark Butler SALA Award.
Dog Boi SOLD 2018. Reclaimed Oregon timber on Steel Base. 2nd place winner of the 2018 Mark Butler SALA Award.
Dog Boi (with Deer Heart) SOLD 2018. Reclaimed Oregon timber on Steel Base. 2nd place winner of the 2018 Mark Butler SALA Award.
Dog Boi and friends

Becoming Whole & Janus (L) SOLD - Becoming Whole, patinated bronze, 59 x 18 x 14cm, 2017. (R) Duality, 56 x 13 x 8cm, patinated bronze, 59 x 18 x 14cm, 2017.
Creature Inside Patinated bronze, 45 x 13 x 8cm, 2017.

Of Milk and Honey (maquette) SOLD 38cm x 30 x 30cm, re-claimed wood, paint, Awlwood clear-coat and steel, 2017. On exhibition for "What's in the Box", (see exhibition page for details), part of the Biennale of Australia Art.
Of Milk and Honey (maquette) SOLD 38cm x 30 x 30cm, re-claimed wood, paint, Awlwood clear-coat and steel, 2017. On exhibition for "What's in the Box", (see exhibition page for details), part of the Biennale of Australia Art.
Of Milk and Honey (maquette) SOLD 38cm x 30 x 30cm, re-claimed wood, paint, Awlwood clear-coat and steel, 2017. On exhibition for "What's in the Box", (see exhibition page for details), part of the Biennale of Australia Art.
Of Milk and Honey (maquette) SOLD 38cm x 30 x 30cm, re-claimed wood, paint, Awlwood clear-coat and steel, 2017. On exhibition for "What's in the Box", (see exhibition page for details), part of the Biennale of Australia Art.
Of Milk and Honey (maquette) SOLD 38cm x 30 x 30cm, re-claimed wood, paint, Awlwood clear-coat and steel, 2017. On exhibition for "What's in the Box", (see exhibition page for details), part of the Biennale of Australia Art.

Animal Within Series SOLD reclaimed wood, bronze, horse hair and steel, 2016
Animal Within Series SOLD reclaimed wood, bronze, horse hair and steel, 2016
Animal Within Series SOLD reclaimed wood, bronze and steel, 2016
Animal Within: Dear Heart & Horse Reclaimed wood, bronze, horse hair and steel, 61 x 12 x 8 cm and 57.5 x 15 x 8 cm, 2016 SOLD
Animal Within: Dear Heart & Horse Reclaimed wood, bronze, horse hair and steel, 61 x 12 x 8 cm and 57.5 x 15 x 8 cm, 2016 SOLD
Animal Within-Spike & A-roo Reclaimed wood, bronze & steel, 49 x 14 x 11 cm and 57 x 14 x 18 cm, 2016 SOLD
Animal Within: Spike & A-Roo Reclaimed wood, bronze & steel, 49 x 14 x 11 cm and 57 x 14 x 18 cm, 2016 SOLD
Animal Within-Foxborne Reclaimed wood, bronze & steel, 52 x 14 x 14 cm, 2016 SOLD

Magpie And Eggs SOLD Cast aluminum into cast bronze, 36 x 14 x 15cm, 2015.
Eggs SOLD Cast aluminum into cast bronze, 2015.
Magpie SOLD Cast aluminum into cast bronze, 36 x 14 x 15cm, 2015.
Magpie SOLD Cast aluminum into cast bronze, 36 x 14 x 15cm, 2015.
Magpie SOLD Cast aluminum into cast bronze, 36 x 14 x 15cm, 2015.
Magpie SOLD Cast aluminum into cast bronze, 36 x 14 x 15cm, 2015.

Let Sleeping Dogs Lie I & II SOLD (Top) patinated bronze,13 x 73 x 40cm, 2017. SOLD (Bottom) patinated bronze, 15 x 80 x 40cm, 2017.
Let Sleeping Dogs Lie I SOLD. Bronze, redgum and steel.
Let Sleeping Dogs Lie I SOLD. Bronze, redgum and steel.
Let Sleeping Dogs Lie I SOLD. Bronze, redgum and steel.
Let Sleeping Dogs Lie II SOLD. Bronze, redgum and steel.
Let Sleeping Dogs Lie II and friend SOLD. Bronze, redgum and steel.

Old Man Fennec

Old Man Fennec

SOLD, bronze, 2015. 30 x 37 x 18cm. Fennec foxes originated in the Sahara and the markings are based on Tuareg and other Berber designs from the region. The Southern Cross, or Cross of Agadez, represented on the forehead is often passed from father to son and symbolises the four directions as well as being nomadic and free. When giving the cross the father tells his son: "My son, I give you the four directions of the world, because we do not know where you go to die."

Old Man Fennec

Old Man Fennec

SOLD, bronze, 2015. 30 x 37 x 18cm. Fennec foxes originated in the Sahara and the markings are based on Tuareg and other Berber designs from the region. The Southern Cross, or Cross of Agadez, represented on the forehead is often passed from father to son and symbolises the four directions as well as being nomadic and free. When giving the cross the father tells his son: "My son, I give you the four directions of the world, because we do not know where you go to die."

Old Man FennecennecFox1

Old Man FennecennecFox1

SOLD, bronze, 2015. 30 x 37 x 18cm. Fennec foxes originated in the Sahara and the markings are based on Tuareg and other Berber designs from the region. The Southern Cross, or Cross of Agadez, represented on the forehead is often passed from father to son and symbolises the four directions as well as being nomadic and free. When giving the cross the father tells his son: "My son, I give you the four directions of the world, because we do not know where you go to die."

Dingo-child SOLD Bronze, 57 x 36 x 37cm, 2013. Dingo-child shows the spiritual connection of human and animal. It represents loss of land and place, but also of hope and defiance.
Dingo-child SOLD Bronze, 57 x 36 x 37cm, 2013. Dingo-child shows the spiritual connection of human and animal. It represents loss of land and place, but also of hope and defiance.

Contemplation SOLD Bronze, 20 x 6 x 20 cm, 2016
Contemplation SOLD Bronze, 20 x 6 x 20 cm, 2016

Once Broken Now Whole SOLD Cast bronze and re-claimed wood, 18 x 30 x 30cm, 2015
Once Broken Now Whole SOLD Cast bronze and re-claimed wood, 18 x 30 x 30cm, 2015
Once Broken Now Whole SOLD Cast bronze and re-claimed wood, 18 x 30 x 30cm, 2015
Once Broken Now Whole SOLD Cast bronze and re-claimed wood, 18 x 30 x 30cm, 2015

Boobook and El Gato SOLD Bronze, reclaimed wood and steel, 54 x 75 x 26cm, 2016.
Boobook and El Gato Bronze, reclaimed wood and steel, 54 x 75 x 26cm, 2016.
Boobook and El Gato Bronze, reclaimed wood and steel, 54 x 75 x 26cm, 2016.

Tattooed Stingray - ManaRay SOLD Bronze and Stone, 78 x 80 x 38cm, 2013. Incorporationg Polynesian style tattoos into the bronze stingray to signify lifeforce, movement and energy.
Tattooed Stingray - ManaRay SOLD Bronze and Stone, 78 x 80 x 38cm, 2013. Incorporationg Polynesian style tattoos into the bronze stingray to signify lifeforce, movement and energy.

Welcome Swallows SOLD Welcome Swallows: Real Australians Say Welcome *Inspired by Peter Drew's "Real Australians Say Welcome" campaign cast bronze and found wood, 69 x 22 x 20cm, 2015.
Welcome Swallows SOLD Welcome Swallows: Real Australians Say Welcome *Inspired by Peter Drew's "Real Australians Say Welcome" campaign cast bronze and found wood, 69 x 22 x 20cm, 2015.

Upon Reflection Re-claimed wood, re-claimed aluminium cast into the wood, resin and steel, 60 x 150 x 35cm, 2016. On display at the Cedars, Hahndorf.
Upon Reflection Re-claimed wood, re-claimed aluminium cast into the wood, resin and steel, 60 x 150 x 35cm, 2016. On display at the Cedars, Hahndorf.
Upon Reflection Re-claimed wood, re-claimed aluminium cast into the wood, resin and steel, 60 x 150 x 35cm, 2016. On display at the Cedars, Hahndorf.
Upon Reflection Re-claimed wood, re-claimed aluminium cast into the wood, resin and steel, 60 x 150 x 35cm, 2016. On display at the Cedars, Hahndorf.
Upon Reflection Re-claimed wood, re-claimed aluminium cast into the wood, resin and steel, 60 x 150 x 35cm, 2016. On display at Centennial Park
Upon Reflection Re-claimed wood, re-claimed aluminium cast into the wood, resin and steel, 60 x 150 x 35cm, 2016. On display at Centennial Park

Belonging

Belonging

Bronze, 27 x 60 x 38cm, 2015. Australia is the last place in the world that has wild Dromedary Camels. The camels and their handlers were brought here circa1850 for transportation and construction in and across the desert. After motorized transportation was introduced the camels were set free. This artwork depicts a mother camel with arabesque designs and her calf with representations of Indigenous Australian designs symbolizing meeting place and resting spot...

Belonging

Belonging

Bronze, 27 x 60 x 38cm, 2015. This sculpture represents both Aboriginal and Afghani culture, asking questions about belonging and history. Camels have been born in Australia for generations and are possibly now part of the Indigenous Dreaming of Central Australia, yet they are mercilessly culled as a feral species. What does this say about what it means to be ‘Australian’? What does this imply for those who seek belonging?

Belonging

Belonging

Bronze, 27 x 60 x 38cm, 2015.

Little deer and little wolf SOLD Bronze,3.5 x 8 x 10 cm and 6 x 7 x 10 cm, 2016
Dingo Mama and Pup SOLD Bronze, 17 x 33 x 14cm, 2012.
Dingoes - Mama and Pup SOLD Bronze, 17 x 33 x 14cm, 2012.

Flying Foxes(detail) Bronze and Wood, 158 x 22 x 43cm, 2013.
Flying Foxes Bronze and Wood, 158 x 22 x 43cm, 2013.
Flying Foxes (detail) Bronze and Wood, 158 x 22 x 43cm, 2013.
Flying Foxes (detail) Bronze and Wood, 158 x 22 x 43cm, 2013.

Maralinga: a Nuclear Family? SOLD Collaboration with Alec de Wilt, (wooden parts by Alec). Wood, Steel and Wire, 168 x 170 x 210 cm, (variable) 2014.
Maralinga (detail) SOLD
Maralinga SOLD
Maralinga: a Nuclear Family? Collaboration with Alec de Wilt, (wooden parts by Alec). Wood, Steel and Wire, 168 x 170 x 210 cm, (variable) 2014.
Maralinga: a Nuclear Family? Collaboration with Alec de Wilt, (wooden parts by Alec). Wood, Steel and Wire, 168 x 170 x 210 cm, (variable) 2014.
Maralinga: a Nuclear Family? Collaboration with Alec de Wilt, (wooden parts by Alec). Wood, Steel and Wire, 168 x 170 x 210 cm, (variable) 2014.

As Above So Below SOLD Bronze, wood and Steel, 20 x 21 x 52 cm, 2015
As Above So Below SOLD Bronze, wood and Steel, 20 x 21 x 52 cm, 2015
As Above So Below SOLD Bronze, wood and Steel, 20 x 21 x 52 cm, 2015
Blood Moon SOLD Re-claimed wood, cast aluminum and steel, 25 x 57 x 11cm, 2015.
Blood Moon SOLD Re-claimed wood, cast aluminum and steel, 25 x 57 x 11cm, 2015
Undercurrent SOLD Cast bronze and re-claimed wood, 34 x 20 x 14cm, 2015.
Undercurrent SOLD Cast bronze and re-claimed wood, 34 x 20 x 14cm, 2015.
Journey SOLD Bronze, wood and steel, 14 x 59 x 12.5cm, 2015.
Journey SOLD Bronze, wood and steel, 14 x 59 x 12.5cm, 2015.
Journey SOLD Bronze, wood and steel, 14 x 59 x 12.5cm, 2015.
Overflow SOLD Cast aluminium, re-claimed wood and steel, 11 x 35 x 13cm, 2015.
Overflow SOLD Cast aluminium, re-claimed wood and steel, 11 x 35 x 13cm, 2015.
Uncharted Waters SOLD Cast bronze and re-claimed wood, 17 x 38 x 18cm, 2015.
Uncharted Waters SOLD Cast bronze and re-claimed wood, 17 x 38 x 18cm, 2015.
Untitled (boats) SOLD Jarrah and Steel, 2012.

Flying Fish: The Elders SOLD Bronze & wood, 11 x 133 x 90cm, (variable), 2013. Old and ancient, they once left the water for the land… The Elders have the knowledge and the stories, and it up to us to learn how to listen.
Flying Fish: The Elders (detail) SOLD Bronze & wood, 11 x 133 x 90cm, (variable), 2013. Old and ancient, they once left the water for the land… The Elders have the knowledge and the stories, and it up to us to learn how to listen.
Flying Fish: The Elders (detail) SOLD Bronze & wood, 11 x 133 x 90cm, (variable), 2013. Old and ancient, they once left the water for the land… The Elders have the knowledge and the stories, and it up to us to learn how to listen.
Flying Fish: The Elders (detail) SOLD Bronze & wood, 11 x 133 x 90cm, (variable), 2013. Old and ancient, they once left the water for the land… The Elders have the knowledge and the stories, and it up to us to learn how to listen.

Powderburns Bronze, 25 x 5 x 22cm, 2012.
Powderburns Bronze, 25 x 5 x 22cm, 2012.

CrossOver/ Totem Steel, re-claimed wood and bronze, 213 x 45 x 35cm, 2015.
CrossOver/ Totem, My Grandfather's Country (sold) and Intent.

Felix Kingston SOLD Life size Donkey, welded steel, 2015. Commissioned piece.
Felix Kingston SOLD Life size Donkey, welded steel, 2015. Commissioned piece.

Tattooed Ray SOLD Bronze and Stone, 28 x 33 x 24cm, 2012.
Tattooed Ray SOLD Bronze and Stone, 28 x 33 x 24cm, 2012.
Tattooed Ray SOLD Bronze and Stone, 28 x 33 x 24cm, 2012.

Tattoo off the Back SOLD Steel, 2012. Based on a Borneo-style "tree of life" tattoo that I designed and tattooed.

Reeds COMMISSION, 2016. Steel and bronze, 135 x 58 x 44cm

Out On A Limb (detail) SOLD Bronze and wood, 53 x 58 x 41 cm, 2013. In collaboration with Cathy Elston, Large possum - Clancy Warner. Small possum - Cathy Elston.
Out On A Limb SOLD Bronze and wood, 53 x 58 x 41 cm, 2013. In collaboration with Cathy Elston, Large possum - Clancy Warner. Small possum - Cathy Elston.

Book with Gameboy COMMISSION “Schooling for the Knowledge Era and Gameboy” Bronze and stone, 2013. Commission for Eltham College, Victoria.

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